kent kapplinger

collagraph/watercolor . 16 × 16 in.

collagraph/watercolor . 16 × 20 in.

collagraph . 20 × 16

lithograph & hand coloring . 40 × 15”

lithograph/screenprint - 22 × 15”

With no technology to assist with chores, my father who was a dairy farmer, stayed lean and tough. After modernization arrived at our DeKap dairy farm, chores still were a big part of each day. However, the chores were different. With the purchase and addition of the PATZ barn cleaner, my father laughingly said he had developed a "PATZ Paunch."

relief• 15x15"

A collaborative print created by Malcolm Thompson and Kent Kapplinger. This image was printed using two sections cut from a single block and paper stencils in the NDSU/PEARS studio.

relief• 15x15"

A collaborative print created by Malcolm Thompson and Kent Kapplinger. This image was printed using two sections cut from a single block and paper stencils in the NDSU/PEARS studio.

relief• 15x15"

A collaborative print created by Malcolm Thompson and Kent Kapplinger. This image was printed using two sections cut from a single block and paper stencils in the NDSU/PEARS studio.

relief• 15x15"

A collaborative print created by J. Malcolm Thompson and Kent Kapplinger. This image was printed using two sections cut from a single block in the NDSU/PEARS studio.

relief• 15x15"

A collaborative print created by J. Malcolm Thompson and Kent Kapplinger. This image was printed using two sections cut from a single block in the NDSU/PEARS studio.

relief• 15x15"

A collaborative print created by J. Malcolm Thompson and Kent Kapplinger. This image was printed using two sections cut from a single block in the NDSU/PEARS studio.

relief• 15x15"

A collaborative print created by J. Malcolm Thompson and Kent Kapplinger. This image was printed using two sections cut from a single block in the NDSU/PEARS studio.

stone lithograph/screenprint • 20x15"

(Ed. 5) Celebrating a grandson’s memories of time with his grandpa. From visits to the Michigan forest, lakes, and the cabin he built, to rides in his old Ford pick up. Cherished memories with the man and with nature.

stone lithograph/screenprint • 14x11"

(Ed. 25) Part of "Interpretation of Dreams" exchange portfolio included print faculty/students from Concordia College and MN State University-Moorhead, University of Manitoba, Minot State University, North Dakota State University, and Valley City State University.

intaglio • 8"x6"

(Ed. 20) A quiet place to think. Printed during NDSU Art/PEARS summer workshop. Co-taught by artist Robert Kennon.

screenprint • 18x12"

A collaborative print created by Eric A. Johnson and Kent Kapplinger for the Community Supported Arts (CSA) program. A community arts project sponsored through The Arts Partnership organization.

serigraph/colored pencil • 15"x11"

(Ed. 3v) Ensign Type "JTW," 1 1/2" Carburetor.

relief • 14x11"

Printed for Tri-College exchange portfolio between printmaking students and professors.

broadside • 11x7-1/2"

(Ed. 20) Original poem recalling a special place to think when young. I continue to go there in my dreams today.

Letterpress/Acrylic • 11x15"

(Ed. 25) Crumpled paper and hand-prints reflect the nature of the text. Included in exchange portfolio organized by Ryan Stander, Flat Tail Press, Minot State University.

intaglio, chine colle, color pencil • 30x22"

(Ed 3v) The art of play, imagination and discovery. Collaboration with Katie Cottam.

SOLD OUT

wood engraving/letterpress • 13x10"

(Ed. 20) Included in exchange portfolio of broadsides during NDSU Art/PEARS summer workshop taught by Gaylord Schanilec of Midnight Paper Sales.

letterpress/screenprint • 11x14"

(Ed. 10) Inspired by the theme "Home: Then & Now," a print exchange portfolio organized by Amanda Heidt, Director of Hannah Print Studio Inc., Plains Art Museum in Fargo, ND and Eric Johnson, artist and master printer of Big Oak Studio in Hillsboro, ND.

woodcut • 9"x8"

(Ed. 20) Recalling adolescent camping experiences.

monotype, screenprint, chine colle • 15x11"

(AP IV) Why not choose an alternate Sandpiper pipeline route that would run next to the other eight already in use? Created for NDSU Art/PEARS summer print workshop exchange portfolio.

SOLD

serigraph • 20x16"

(Ed. 55) Reactions on North Dakota's recent oil boom. Included in "East/West", an exchange portfolio organized by Professor Brian Kelly, University of Louisiana, Lafayette, LA.

lithograph and pochoir • 15x11"

(Ed. 55) Reactions on ND's recent oil boom. Included in "50 Places" an exchange portfolio organized by Professor Melanie Yazzie, University of Colorado at Boulder.

serigraph • 15x19"

Counting offshore risk. Part of ‘Touched and Untouched’, an exchange portfolio organized by Jessica Christy, University North Dakota in 2010.

SOLD OUT

relief/screenprint • 40x27"

(Ed. 5) Reacting to deformed frog discoveries in a Henderson, MN pond in 1992.

monotype, screenprint, chine colle • 15x11"

(AP V) Why not choose an alternate Sandpiper pipeline route that would run next to the other eight already in use? Created for NDSU Art/PEARS summer print workshop exchange portfolio.

Letterpress, pochoir and relief • 14x11"

(Ed. 30) Part of "Oil & Water" exchange portfolio addressing use or misuse of natural resources. Exchange included print faculty/students from Concordia College and MN State University-Moorhead, University of Manitoba, Minot State University, North Dakota State University, University of North Dakota, and Valley City State University.

Screenprint • 20x20"

(Ed. 23) Handmade character and imperfect design reflects traffic and other safety concerns in Western North Dakota induced by frenzy attitudes. Included in "Trace + Gesture," an exchange portfolio organized by Patricia Villalobos Echeverria and Nichole Maury of Western Michigan University.

Screenprint • 15x11"

(Ed. 14) Created for NDSU Art/PEARS summer printmaking workshop exchange portfolio. Co-taught by Nichole Maury of Western Michigan University.

Screenprint • 20x20"

(proofs) Inspired by litter of all kinds like trucker bombs, this image appears in-progress, much like the oil-driven environmental and cultural climate of Western North Dakota today.

monotype, screenprint, chine colle • 15x11"

(AP I) Why not choose an alternate Sandpiper pipeline route that would run next to the other eight already in use? Created for NDSU Art/PEARS summer print workshop exchange portfolio. Co-taught by artist Eva Isaksen.

intaglio • 17x16"

Observations on crisis, life and death, and other precarious situations.

SOLD OUT

relief • 22"x30"

(Ed. 4) Inspired by illustrations from farm equipment parts manuals.

woodcut • 11"x8.5"

(Ed. 20) Memories of grandma Vera.

relief & transfer monoprint • 13"x9"

Collaboration with Eunice during Hungarian Multicultural Center residency.

SOLD

relief & transfer monoprint • 13"x9"

Collaboration with Eunice during Hungarian Multicultural Center residency.

monotype, screenprint, chine colle • 15x11"

(AP VI) Why not choose an alternate Sandpiper pipeline route that would run next to the other eight already in use? Created for NDSU Art/PEARS summer print workshop exchange portfolio.

serigraph • 7"x5"

(Ed. II - 10) 2007 Rourke Art Gallery & Museum membership print.

etching/chine colle' • 12"x20"

(Ed. 4v) Seeing that you’ve just scratched the surface.

lithograph • 12"x9"

(Ed. 20) Hope still remains. Printed during NDSU Art/PEARS workshop co-taught by Catherine Chauvin, Director of School of Art & Art History, University of Denver, CO.

intaglio • 10"x8"

(proofs) Thoughts on the new, the aged and the ugly.

intaglio • 10"x4"

(proofs) Near the hosta plants.

woodcut • 30"x22"

(Ed. 3) Inspired by illustrations from farm equipment parts manuals.

intaglio • 10"x8"

(Ed. 15) Printed during an NDSU Art/PEARS workshop.

SOLD OUT

litho/relief • 14x11"

Revved up on caffeine and alcohol, and other bad ideas. Printed for ‘Quad', an exchange portfolio between Concordia College, Minnesota State University, North Dakota State University, and University of Manitoba printmaking students and professors.

lithograph • 10"x8"

(Ed. II - 10) Inspired by corn sheller patent design.

serigraph • 15"x11"

(Ed. 4) Created for "Birthright and Legacy" themed exhibition as tribute to my father.

SOLD OUT

woodcut • 15"x22"

(Ed. 4) Genetic mutation.

relief/serigraph • 24"x16"

(Ed. 4) Technological advances with positive impact on life's quality.

polymer intaglio • 10"x8"

(Ed. 12) Gun laws in question.

monotype • 15"x11"

Developed from scavenged sketchbooks. Part of an exchange portfolio during NDSU Art/PEARS summer workshop co-taught by Michelle Martin, University of Tulsa, OK.

monotype • 15"x11"

Created in collaboration with my father.

NFS

(Ed. 19) woodcut • 10"x10"

The ethanol alternative? Included in an exchange portfolio during NDSU Art/PEARS summer print workshop co-taught by Karen Kunc, Willa Cather Professor, University of Nebraska-Lincoln.

SOLD OUT

relief • 10"x8"

(Ed. 20) Stamp design drawn from election debates.

relief • 30"x22"

(Ed. 3) Jug-shaped F-15/30 differential gasket.

intaglio • 9"x12"

(Ed. 12) Commissioned by Fargo based company.

lithograph with hand coloring • 22x15”

(unique) Sterile ground.

SOLD

serigraph • 15.5"x11.5"

(Ed. II - 10) First edition included in tribute folio for Robert Glasgow.

lithograph • 11"x8.5"

(Ed. 5) Reflections on cloning reports. Developed from work included in the NDSU Art/PEARS summer workshop co-taught by Michael Barnes, Northern Illinois University School of Art and Design, DeKalb, IL.

lithograph • 11"x8"

(Ed. II - 10) Imagery explores geothermal energy. First edition in Frogman's Press & Gallery portfolio.

serigraph • 15"x11"

(Ed. 50) Printed during Darwin Day at Minot State University.

waterless lithograph • 30x45"

(Ed 4) Will they grow into perfection? Collaboration with South Dakota author Delmer Wolkow.

SOLD OUT

woodcut • 22"x15"

(Ed. 3v) Imagery explores geothermal energy research.

SOLD OUT

serigraph • 13"x9"

(Ed. II - 12) Tool design contrasting broken concrete.

Screenprint • 24x18"

(Ed. 10) Don’t get caught over reacting to non-credible sources.

monotype, screenprint, chine colle • 15x11"

(AP II) Why not choose an alternate Sandpiper pipeline route that would run next to the other eight already in use? Created for NDSU Art/PEARS summer print workshop exchange portfolio.

SOLD

monotype, screenprint, chine colle • 15x11"

(AP III) Why not choose an alternate Sandpiper pipeline route that would run next to the other eight already in use? Created for NDSU Art/PEARS summer print workshop exchange portfolio.

SOLD